History of Clowns and Clowning
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Modern day clowning is a far cry from the buffoonery and satire of history. The origin of the English word “clown” is uncertain, but it is thought to have come from a Scandinavian or Teutonic word for “clod,” which means a coarse or boorish fellow, a lout. Clowning goes far back into history. Traces of it appear in Greek burlesque and on the Roman stage. Throughout the Middle Ages, kings and nobles had their clowns: Fools and Court Jesters who were privileged characters as long as what they said and did amused their masters. These were often gifted musicians, mimics, skilled dancers, and acrobats, full of wit and impertinence. The fool carried a mock sceptre, called a Marotte, which was a stick with a carved head and tassels. He often used the marotte to protect his master.
On the old English stage a clown was a privileged laugh provoker. He had no real part in the drama, but carried on his jokes and tricks, sometimes addressing himself to the delighted audience instead of confining himself to the stage action. Shakespeare elevated the clown, giving him a speaking part, often using him as a “comic relief” to ease the tension in his tragedies. The grave diggers in Hamlet are clowns. Othello had his clown. Launcelot Gobbo was Shylock's famous clown. In France, the Pierrot in his two-colored costume was a happy, lighthearted clown, also an accomplished dancer. The Pierrot's character has changed over time and is now typically a romantic, sad figure with a tear painted on his white cheek. The female counterpart is called Pierette. Although the name Harlequin is French, it is believed that the Arlecchino character originated in Italy with 'Alichino' from Dante's Inferno. Distinguished by his black mask, shaved head, and expert acrobatics, this was a favorite character in the Commedia dell'Arte. As the character evolved, Harlequin became a romantic hero, popular in Pantomime. Italy gave us Pantaloon, originally Pantaleone, of serious face and baggy trousers. From Italy, too, came the interpretation of the clown as a tragic figure, laughing while his heart was breaking. Leoncavallo's "I Pagliacci," the popular opera, is the best example of this. The 1928 silent film "Laugh Clown, Laugh" was based on this opera. Germany gave us the painted clown face, often showing no personal expression. The German costume of character Pickelherring has evolved into what we now recognize with oversized shoes a ruff at the collar. Want to know more about clown types?
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